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Thom Hogan zu Farbmanagement
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Frank B.
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Stimmt, nur mit dem Unterschied, Dir hat man es nie geglaubt, aber jetzt wo es Thom Hogan sagt, ja, da stimmt das dann.
Du weißt wie das gemeint ist, gelle
LG
Frank
Du weißt wie das gemeint ist, gelle
LG
Frank
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Geglaubt schon
Aber Punkt 2 gilt halt doch für sehr viele hier im Forum und deswegen: Punkt-1-Typen müssen Punkt-2-Typen tolerieren :up:
Auch, wenn Punkt-2-Typen das anders herum auch nicht tun
Punkt-3-4-Typen sollten wir allerdings zusammen sein
Thom's Quick Recommendations (all your really need to know):
1. Set ProPhotoRGB in your converter as your Color Space if you shoot raw (it doesn't matter what the camera setting is). You'll be surprised to know that your DSLR can do much more subtle and extended color than AdobeRGB can do. Fortunately, whatever setting you have in your raw converter will override your camera setting.
2. Set sRGB as your Color Space if you shoot JPEG and print at labs or if you only output to the Web. Setting anything else means you have to convert your Color Space before sending the image to print or putting it on the Web.
3. Calibrate your monitor. This is the best thing you can do to help you achieve good color. And these days, it doesn't cost much. But make sure the monitor calibration profile is only used for the monitor! It's not a Color Space.
4. Use the printer driver and custom profiles for the paper you print on. All printer makers have profiles for their papers, and most paper manufacturers have profiles now, as well. Only when you know how to print this way should you try anything more sophisticated or switch to having the application handle the color management during printing.
Thx für den Link
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